- 1939 — “Over the Rainbow” — The Wizard of Oz — Harold Arlen / Judy Garland
The old studio system in full bloom. Won Best Original Song. - 1944 — “Laura” — Laura — David Raksin
One of the great Golden Age themes: romantic, psychological, immediately cinematic. - 1957 — “The River Kwai March” — The Bridge on the River Kwai — Malcolm Arnold
Big-screen orchestral identity. Arnold won Best Original Score. - 1962 — “Lawrence of Arabia — Main Title” — Maurice Jarre
Cinema becomes enormous. Jarre won Best Original Score. - 1977 — “Main Title” — Star Wars — John Williams
The symphonic movie theme comes roaring back. Williams won Best Original Score. - 1981 — “Chariots of Fire” — Vangelis
Electronics suddenly carry the emotional scale an orchestra used to carry. Won Best Original Score. - 1993 — “Theme from Schindler’s List” — John Williams / Itzhak Perlman
Nearly the opposite of Star Wars: intimate, restrained, exposed. Won Best Original Score. - 2003 — “The Return of the King” — The Lord of the Rings: The Return of the King — Howard Shore
A huge musical architecture reaching its resolution. Shore won Best Original Score. - 2016 — “Mia & Sebastian’s Theme” — La La Land — Justin Hurwitz
The old Hollywood musical vocabulary returned through a modern film. Hurwitz won Best Original Score. - 2023 — “Can You Hear the Music” — Oppenheimer — Ludwig Göransson
A good landing point for the present: orchestral writing, electronics, rhythm and sound design almost merging. Göransson won Best Original Score.
Curated by: EZorrillaMc&Co.
